
Woman Combing Her Hair
Self-published. Carved by Koike Masazō. Printed by Somekawa Kanzō

Self-published. Carved by Koike Masazō. Printed by Somekawa Kanzō


In sculptural works and monoprints that monumentalize the most humble of materials, I cut, stack, and join flat generic/universal box template forms to create geometric

Everyone had their own story and different way of processing the experience, and their emotions. Just before his final year at UNCG, Sherrill Roland was

I want to zoom way, way out and look at us humans as minorly important just like everything else. We are not the center of

Treating the paper like an organism itself, I sculpt patterns akin to cellular tissue and anatomical elements, allowing hidden histories and patterns to be uncovered.

I consider myself a painter who is ironically using drawing as a medium. Throughout his work, Gonzalo Fuenmayor questions what it means to be a

My drawings are both maps and illusions of physical space. I am interested in how space and form can accurately be described two-dimensionally using a

Weatherspoon Art Museum, University of North Carolina at Greensboro. Museum purchase with funds from the Weatherspoon Art Museum Acquisition Endowment for the Dillard Collection, 2021.3

Weatherspoon Art Museum, University of North Carolina at Greensboro. Gift of Donald Rothfeld in memory of Harriet Weill Rothfeld, 2011.14

Weatherspoon Art Museum, University of North Carolina at Greensboro. Museum purchase with funds from the Dillard Paper Company for the Dillard Collection, 1979.2641

Weatherspoon Art Museum, University of North Carolina at Greensboro. Gift of Mr. Hanford Yang, 1980.2800