Exhibition Announcement

Seven Masters: 20th-Century Japanese Woodblock Prints


What Was Once Old is New Again—How Shin Hanga Brought Ukiyo-e Woodblock Prints into the Modern Age

The Weatherspoon Art Museum at UNC Greensboro is pleased to announce Seven Masters: 20th-Century Japanese Woodblock Prints, an exhibition showcasing an art form (shin hanga) developed by a small group of artists in response to Japan’s rapid Westernization and industrialization at the beginning of the 20th century. Shin hanga mingled the old with the new, creating beautiful, enticing pictures that were widely reproduced as prints of almost unsurpassed quality. Seven Masters is on view at the Weatherspoon Art Museum at UNC Greensboro from September 10 through December 4, 2021.

As the nation of Japan ended two hundred years of self-imposed isolation and began to assimilate a new, Westernized culture, demand for certain traditional handicrafts fell off significantly—among them, the iconic woodblock prints known as ukiyo-e, or floating world pictures. Publishers and artists slowed production and created fewer new designs. Yet what seemed at first to be the death-knell of a unique art form without parallel in the world turned out to be the dawning of another, as the path was cleared for a new kind of print: shin hanga.

The exhibition Seven Masters: 20th-Century Japanese Woodblock Prints focuses on seven artists who played a significant role in the development of the new print, and whose works boldly exemplify this new movement. Drawing from the superb collection at the Minneapolis Institute of Art, the exhibition features the spectacular beauty portraits of the artists Hashiguchi Goyō (1880–1921), Itō Shinsui (1898–1972), Yamakawa Shūhō (1898–1944), and Torii Kotondo (1900–1976); striking images of kabuki actors by Yamamura Toyonari (Kōka; 1886–1942) and Natori Shunsen (1886–1960); as well as the evocative landscapes of Kawase Hasui (1883–1957). These multi-talented artists were all successful painters as well, but this exhibition looks exclusively at their unrivaled work in print design, and includes a cache of pencil drawings and rare printing proofs to offer insight into the exacting process of woodblock printing.

Curator of Collections Elaine D. Gustafson, who facilitated the exhibition’s presentation at the Weatherspoon, shared the museum’s delight in being able to host the exhibition since it owns over 400 Japanese woodblock prints itself. “This loan exhibition presents an opportunity to deeper explore and better understand a segment of our collection that often cannot be put on display due to the works’ sensitivity to light. The three themes highlighted—images of beautiful women, landscapes, and famous Kabuki actors—have appealed to our visitors in the past and undoubtedly will continue to engage all audiences.”

About the Exhibition Curator
Dr. Andreas Marks is the head of the Japanese and Korean Art Department at the Minneapolis Institute of Art. From 2008 to 2013, he was the director and chief curator of the Clark Center for Japanese Art and Culture in California. He has a PhD from Leiden University in the Netherlands and a master’s degree in East Asian Art History from the University of Bonn. A specialist in Japanese woodblock prints, Marks is the author of 14 books; his Publishers of Japanese Prints: A Compendium is the first comprehensive reference work in any language on Japanese print publishers. In 2014 he received an award from the International Ukiyo‐e Society in Japan for his research.

A catalogue, Seven Masters: 20th-Century Japanese Woodblock Prints from the Wells Collection by Dr. Andreas Mark, is available for purchase locally at Scuppernong Booksellers as a softcover or hardcover.

US tour dates for Seven Masters: 20th-Century Japanese Woodblock Prints are as follows: Utah Museum of Fine Arts, Salt Lake City, UT (February – April 2020); Museum of the Rockies, Bozeman, MT (October – December 2020); Lauren Rogers Museum of Art, Laurel, MS (May – August 2021); the Weatherspoon Art Museum at UNC Greensboro, Greensboro, NC (September – December 2021); and the Citadelle Art Foundation & Museum, Canadian, TX (January – April 2022).

Seven Masters: 20th-Century Japanese Woodblock Prints was organized by the Minneapolis Institute of Art and is toured by International Arts & Artists, Washington, DC. Its presentation at the Weatherspoon Art Museum was facilitated by Elaine D. Gustafson, Curator of Collections.

About the Minneapolis Institute of Art’s Collection
Home to more than 90,000 works of art representing 5,000 years of world history, the Minneapolis Institute of Art (Mia) inspires wonder, spurs creativity, and nourishes the imagination. With extraordinary exhibitions and one of the finest wide-ranging art collections in the country—Rembrandt to van Gogh, Monet to Matisse, Asian to African—Mia links the past to the present, enables global conversations, and offers an exceptional setting for inspiration.

International Arts & Artists in Washington, DC, is a nonprofit arts service organization dedicated to increasing cross-cultural understanding and exposure to the arts internationally, through exhibitions, programs and services to artists, arts institutions and the public. Visit www.ArtsandArtists.org


Related Programs:


The Story Behind the Beauty: Geisha, New Women, and Social Reformers
Wednesday, September 22, 4pm
, virtual event
Jan Bardsley, Professor Emerita, Department of Asian and Middle Eastern Studies, UNC Chapel Hill
Prints popular at home and abroad in the 1910s depicted Japanese women in beauty prints as tranquil. Behind the scenes, however, controversies brewed over the role women should play in modern life. Debates over the “Woman Question” brought differences among women’s groups to the fore, sowing divisions and unusual alliances. Looking at conflict among elite geisha, literary New Women, reformers of the Japan Woman’s Christian Temperance Union, and even visiting women from the United States tells the contentious story behind the Japanese beauty in 1910s prints. Jan Bardsley’s most recent book is titled Maiko Masquerade: Crafting Geisha Girlhood in Japan (UC Press, 2021).


How Do I Look: Seven Masters
Friday, October 1, 4pm
, virtual event
James Anderson, Associate Professor, History, and Chiaki Takagi, Senior Lecturer of Japanese and Asian Studies, UNCG
In what ways do our experiences and knowledge shape how we see? Join us as we invite experts from across diverse academic disciplines and professional fields to help us uncover new ways of seeing artworks at the Weatherspoon. This session will include James Anderson and Chiaki Takagi, faculty in the departments of history and literature, languages, and culture, examine artwork from Seven Masters: 20th-Century Japanese Woodblock Prints.


The Women of Shin Hanga
Tuesday, November 16, 8pm
, virtual event
Nozomi Naoi, Assistant Professor of Art History, Yale-NUS, Singapore
During the early 20th century, Japan experienced radical social and political change resulting from modernization, urbanization, and Westernization. The Shin Hanga movement responded to this cultural climate by embracing both modernity and traditional Japanese aesthetics. Beauty prints were especially important in highlighting elements of nostalgia and modernity. Nozomi Naoi examines these beauties in the context of the era and how they connect to visual media in Japan today.


Guided + Self-Guided Visits
School and community groups are invited to visit the museum on their own or via a docent-led tour. Admission and tours are free. Please contact us at least three weeks in advance to schedule your visit, (336) 334-5770 or weatherspoon@uncg.edu.

About the Weatherspoon Art Museum

The Weatherspoon Art Museum at UNC Greensboro enriches the lives of diverse individuals and connects multiple communities, both on and off campus, by presenting, interpreting, and collecting modern and contemporary art. In recognizing its paramount role of public service, the Weatherspoon fosters an appreciation of the ability of art to positively impact lives.

The Weatherspoon Art Museum at UNC Greensboro was founded by Gregory Ivy in 1941 and is the earliest of any art facilities within the UNC system. The museum was founded as a resource for the campus, community, and region and its early leadership developed an emphasis—maintained to this day—on presenting and acquiring modern and contemporary works of art. A 1950 bequest from the renowned collection of Claribel and Etta Cone, which included prints and bronzes by Henri Matisse and other works on paper by American and European modernists, helped to establish the Weatherspoon’s permanent collection.

In 1989, the museum moved into its present location in The Anne and Benjamin Cone Building designed by the architectural firm Mitchell Giurgula. The museum has six galleries and a sculpture courtyard with over 17,000 square feet of exhibition space. The American Alliance of Museums accredited the Weatherspoon in 1995 and renewed its accreditation in 2005 and 2015.

Collections + Exhibitions
The permanent collection of the Weatherspoon Art Museum is considered to be one of the foremost of its kind in the Southeast. It represents all major art movements from the beginning of the 20th century to the present. Among the nearly 6,200 works in the collection are pieces by such prominent figures as Henry Ossawa Tanner, Edward Weston, Joseph Stella, David Smith, Jackson Pollock, Elizabeth Catlett, Louise Nevelson, Gordon Parks, Sol LeWitt, Robert Mangold, Cindy Sherman, Adrian Piper, Betye Saar, Amy Silman, Nick Cave, Jennifer Steinkamp, and Sanford Biggers. The museum regularly lends to major exhibitions nationally and internationally.

The Weatherspoon also is known for its dynamic exhibition program. Through a lively annual calendar of exhibitions and a multi-disciplinary educational program for audiences of all ages, the museum provides an opportunity for visitors to consider artistic, cultural, and social issues of our time—enriching the life of our university, community, and region.

UNC Greensboro
Located in North Carolina’s third largest city, UNC Greensboro is among the most diverse, learner-centered public research universities in the state, with nearly 18,000 students in eight colleges and schools pursuing more than 150 areas of undergraduate and over 200 areas of graduate study. UNCG continues to be recognized nationally for academic excellence, access, and affordability. UNCG is ranked No. 1 most affordable institution in North Carolina for net cost by the N.Y. Times and No. 1 in North Carolina for social mobility by The Wall Street Journal — helping first-generation and lower-income students find paths to prosperity. Designated an Innovation and Economic Prosperity University by the Association of Public and Land-grant Universities, UNCG is a community-engaged research institution with a portfolio of more than $67M in research and creative activity. The University’s 1,100 faculty and 1,700 staff help create an annual economic impact for the Piedmont Triad region in excess of $1B. For additional information, please visit uncg.edu and follow UNCG on FacebookTwitter, and Instagram.

Weatherspoon Art Museum
UNC Greensboro
1005 Spring Garden Street
Greensboro, NC 27412, (336) 334-5770, weatherspoon@uncg.edu

For more information or press images, contact:
Loring Mortensen, (336) 256-1451, lamorten@uncg.edu