Countless visual artists likewise have explored and affirmed the charged power of the human form. With works from the Weatherspoon’s collection of modern and contemporary art, this installation considers the myriad ways in which they have done so.

Presenting the two generations of work side by side, this exhibition consists of historic examples drawn from the Weatherspoon’s collection and contemporary counterpoints generously lent by artists and their galleries.

The Weatherspoon is pleased to present the 2019 biennial exhibition of recent work by studio art faculty in UNCG's School of Art.

In homage to Greensboro's textile legacy, the museum will showcase works of art by artists who either incorporate fabric as an artmaking tool or suggest its physical characteristics.

Treading a line between order and chaos, planned uniformity and unplanned disarray, Alyson Shotz employs natural phenomena—such as mass, force, gravity, and light—to create her artworks.

Over four decades of her practice, Mary Kelly has addressed issues relating to the body, systems of classification and power, and memory.

In Disruption as Rapture, Shahzia Sikander uses animation to enliven an eighteenth-century illuminated manuscript of the Gulshan-i Ishq (Rose Garden of Love).

Alison Saar is known not only for her powerful sculptures—she is also a master of the art of printmaking.