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FROM TO THE HOOP
Victor Solomon creates basketball hoops inspired by the décor of palaces and cathedrals. Recalling his youth as a mixed-race kid in East Boston, he remembers that it was on his neighborhood basketball courts that racial and ethnic distinctions disappeared. While celebrating that inclusivity, his sculptures also acknowledge economic divides between the many who aspire to basketball stardom and the few who achieve it. And, they underscore the precariousness of fame: while designed to precisely mimic actual backboards and hoops, their fragile beauty renders them unable to withstand the shock of a ball hitting them.
Victor Solomon, Church, 2019, stained glass, 24k-gold-plated hand-wrought steel, acrylic, and crystals, 10 x 4 x 4 ft. Courtesy of the artist. © Victor Solomon, photo by Geordy Pearson, courtesy of the artist.
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In between working from home and binging Netflix we wonder what are you PLAYING during this time of isolation? Here is what the WAM staff has been doing to pass the time.
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SHANE CARRICO
NANCY DOLL
TERRI DOWELL-DENNIS
ANN GRIMALDI
KRISTEN MAGOD
VALERIE MCCONNELL
LORING MORTENSEN
DR. EMILY STAMEY
SUSAN TAAFFE
KIM TERBUSH
We’re all missing our current exhibition, To the Hoop: Basketball and Contemporary Art. While the galleries are closed, you can take peek at the show through our viewing room or read the full exhibition catalogue online here. Printed catalogues can be purchased here.
Learn more about some of To the Hoop’s exhibiting artists in these great videos about Victor Solomon, Esmaa Mohamoud, and David Huffman.
Visitor comments for To the Hoop:
“The exhibit surpassed my expectations. As a basketball fan is was both nostalgic and novel in the most breathtaking and amazing ways.”
“The culture of basketball is so relevant and significant to this society. For it to be captured in this light of art and using art to understand the sociology of it is amazing.”
“It’s like a supernova went off in my mind!”
“I hope the Weatherspoon continues to have exhibits pushing and challenging the norms yet culturally relative.”