Of Salt and Spirit: Black Quilters in the American South

RELEASE DATE: FEB 20, 2026

Weatherspoon Presents Love Letter to Southern Black Quiltmakers in New Exhibition Of Salt and Spirit: Black Quilters in the American South

Greensboro, NC: Quiltmaking is one of the most enduring ways of making meaning and encapsulating memories within Black culture. As historical leaders of this art form, generations of Southern Black women have used quilts to preserve history. Their hands have stitched visual records that maintain centuries of knowledge about the region’s complexities. However, mainstream discourse often exploits their artistry and erases their perspectives. This has led to gaps in scholarship about the lives and voices of those who matter most—the makers.

Of Salt and Spirit: Black Quilters in the American South, organized by the Mississippi Museum of Art in Jackson, Mississippi, gives overdue attention to this thriving practice and some of the individuals who sustain it today. The Weatherspoon Art Museum is thrilled to present this exhibition on the UNC Greensboro campus now through August 1, 2026. Programming highlights include “In Conversation: Curator Dr. Sharbreon Plummer and Artist Precious D. Lovell,” a discussion of Black Southern quilting’s legacies and ongoing impact between the show’s curator and Precious D. Lovell, creator of the companion installation, Harriet’s Powers. This program will be held during the Weatherspoon’s Spring Open House on Thursday, April 23, from 5:30 to 7:30pm.

Juliette Bianco, the Weatherspoon’s Anne and Ben Cone Memorial Endowed Director, expresses, “Presenting this significant exhibition, organized by the Mississippi Museum of Art, deepens a relationship that began with a joint grant in 2021 focused on expanding institutional impact and change. Learning from others’ accomplishments—and bringing that work into conversation with our own—is both humbling and energizing, and it is a powerful reminder that museums are stronger when we work together in service to our communities. We are honored to share this life-impacting exhibition at the Weatherspoon, and I hope everyone within driving distance makes time to experience it this spring.”

Black folklorist Roland L. Freeman (1936–2023) spent nearly three decades building relationships with Black quilters across the United States and collecting their quilts, with a special interest in the South. Through care and respect for the artists, he documented their lives, processes, and creations. These stories recognize that race, gender, and class should not define or diminish the makers or their works.

Of Salt and Spirit builds upon Freeman’s legacy to shape a love letter to Black quilters of the South, presenting twenty-four quilts and two portraits from the collection of the Mississippi Museum of Art. The exhibition uses a reparative approach to showcase the untold stories of everyday people whose lives are as vibrant and varied as the quilts they created.

Of Salt and Spirit: Black Quilters in the American South is organized by the Mississippi Museum of Art. The exhibition is curated by quilts scholar Dr. Sharbreon Plummer with Lydia Jasper, former Assistant Curator of the Permanent Collection, Mississippi Museum of Art. Support is provided by the Henry Luce Foundation and the Art Dealers Association of America Foundation.

The exhibition’s presentation at the Weatherspoon Art Museum was generously supported by the Greensboro Area Convention and Visitors Bureau.

Image: Elizabeth T. Scott and Joyce J. Scott, Monsters, Dragons, and Flies, 1982. Fabric, thread, embellishments; appliquéd, hand embroidered, quilted, 68 x 57 inches. Collection of the Mississippi Museum of Art, Jackson, Gift of the Kohler Foundation, Inc., 2022.9.66.

 

About the Weatherspoon Art Museum

Mission
Embracing its public service role, the Weatherspoon Art Museum at UNC Greensboro fosters the ability of art to impact lives and connect multiple communities.

History
The Weatherspoon Art Museum at UNC Greensboro was founded by Gregory Ivy in 1941 and is the earliest of any art facilities within the UNC system. The museum was founded as a resource for the campus, community, and region, and its early leadership developed an emphasis—maintained to this day—on presenting and acquiring modern and contemporary works of art. A 1950 bequest from the renowned collection of Claribel and Etta Cone, including prints and bronzes by Henri Matisse and other works on paper by American and European modernists, helped establish the Weatherspoon’s permanent collection. During Ivy’s tenure, other prescient acquisitions included a 1951 suspended mobile by Alexander Calder, Willem de Kooning’s pivotal 1949-50 Woman, and the first drawings by Eva Hesse and Robert Smithson to enter a museum collection.

In 1989, the museum moved into its present location in the Anne and Benjamin Cone Building designed by the architectural firm Mitchell Giurgola. The museum has six galleries and a sculpture courtyard with over 17,000 square feet of exhibition space. The American Alliance of Museums first accredited the Weatherspoon in 1995 and renewed its accreditation most recently in 2025.

Collections + Exhibitions
The collection of the Weatherspoon Art Museum is one of the foremost of its kind in the Southeast. It represents all major art movements from the beginning of the 20th century to the present. Among the nearly 7,000 works in the collection are pieces by such prominent figures as Henry Ossawa Tanner, Edward Weston, Joseph Stella, David Smith, Jackson Pollock, Elizabeth Catlett, Louise Nevelson, Gordon Parks, Sol LeWitt, Robert Mangold, Cindy Sherman, Adrian Piper, Betye Saar, Amy Sillman, Nick Cave, Jennifer Steinkamp, and Sanford Biggers. The museum regularly lends to major exhibitions nationally and internationally.

The Weatherspoon is also known for its dynamic exhibition program. Through a lively annual calendar of exhibitions and a multidisciplinary educational program for audiences of all ages, the museum provides an opportunity for visitors to consider artistic, cultural, and social issues of our time—enriching the life of our university, community, and region.

About UNC Greensboro

UNC Greensboro is a learner-centered public research university with nearly 13,000 students in eight colleges and schools pursuing more than 150 areas of undergraduate and 200 areas of graduate study. Recognized nationally for helping first-generation and lower-income students find paths to prosperity, UNCG is ranked No. 1 most affordable institution in North Carolina for net cost by the New York Times and No. 1 in North Carolina for social mobility by the Wall Street Journal. Designated an Innovation and Economic Prosperity University by the Association of Public and Land-grant Universities, UNCG is a community-engaged research institution with a portfolio of more than $67M in research and creative activity. The University creates an annual economic impact for the Piedmont Triad region in excess of $1B. Please visit uncg.edu and follow us on Facebook, X, Instagram, Bluesky and LinkedIn.

Weatherspoon Art Museum
UNC Greensboro
1005 Spring Garden Street
Greensboro, NC 27412, 336-334-5770, weatherspoon@uncg.edu